things and time will tell.

Ann Sexton – You're Gonna Miss Me / You're Losing Me Seventy Seven Records – 77-133 Vinyl, 7", 45 RPM, US, 1973 info I know I can write too much sometimes (much like my talking in real life, yes, I know), but this one should be quick. Continuing with the funk records (of various sorts) featured in the last couple posts, today we have a great lost single from 1973. I've got no stories to tell you about Ann Sexton.  Until I started writing this and saw that others have documented some of her history , I knew pretty much nothing about Sexton except that she was a Southern soul singer who, from the records I've heard, deserved to be much more widely remembered. I knew she had recorded a couple albums and a clutch of singles for Nashville's Seventy-Seven records and a few other labels though the 1970s. After that, she disappears (from the record bins and my radar anyway).  According to the internet, she got fed up with the music industry, left the south for NYC in

Stro Elliot – Black & Loud: James Brown Reimagined By Stro Elliot Republic Records – B0033643-01 Vinyl, LP, Album, US, 2022 info Many years ago, I was riding in a car with someone a little older (and a lot cooler) than me. The guy went on to become a pretty successful DJ and producer, so not shockingly, we were talking music. The thing that I always remember about this conversation is this moment when the Godfather of Soul gets mentioned and the guy turns to say to me in his most serious voice "James Brown invented modern music." True enough for me. Remixing absolute legends from decades ago is risky business. Remixing an album's worth of stone classics that form the bedrock of modern music? Not likely to end well. Stro Elliot pulls it off though on his recent album of James Brown reworks.  My last post featured a Jamaican rework of James Brown from many years ago  and I thought it might be fun to follow it up with this new effort. Elliot  has become a lot more visibl

Brentford All Stars / Dub Specialist – Greedy G / Granny Scratch Scratch Soul Jazz Records – SJR478-12 Vinyl, 12", 45 RPM, UK, 2021 info It's hard to overstate the importance of Studio One in Jamaican music. The late Coxsone Dodd's record label is easily the most important in the history of reggae and the rhythms from his 1960s and 70s productions are still regularly getting a new shine and re-versioned for the  riddims  of today. Those tunes, revamped for the 1980s dancehall era by the Roots Radics and others, make up some of my favorite musical obsessions. All that said, I'm sharing a Studio One record today, but it's something else altogether. This is a recent 12" single from the UK collecting two Studio One tracks cut that I'm pretty sure were cut in the early to mid 70s. But these aren't the early reggae or rocksteady classics, instead we get two storming funk cuts. On  Greedy G ,  the Brentford All Stars (one of the regular names used for Coxson

Romain Virgo – Minimum Wage Penthouse Records – PHEU 007 Vinyl, 7", 45 RPM, Germany, 2013 Info The minimum wage in Chicago went up yesterday, so I'm sharing this one to celebrate. Romain Virgo really caught my attention when I started hearing the young singer turn up on mixtapes in the early 2010s. Pop reggae to be sure, complete with lovers' songs and radio friendly hooks, all done well. So it's modern JA pop, but, at least on those early records and mixtapes that caught my ear, Virgo had a nice way of regularly working in tributes to the classic songs and rhythms slipping in his thoughts about the state of the world. Not big political statements, but even some of those lovers tunes were clear about where they stood, telling the stories of strugglers and working people. The first song I remember hearing by him, Rich In Love , is a good example. I am rich in love Financially I'm a pauper It's just you that I'm after... What's not to love? (If you check